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design archive


fetuchair
 

 
mermaid chair

Any push to accomplish a materialistic goal is a "fight." Non-fighters, who can easily blend in and adapt to new contexts, have articulations formed with love and without judgment. The rich-ness of their pixel-fleshes derives from the desire to upload more peace into the chaos. An in-complete ID tries to find one that looks precisely like itself and triggers apocalypse for the whole after seeing one slightly unidentical. It's vile if that creature aims to rebirth the "equilibri-um" by trimming unique beauties, by not being aware of the big jpeg. A chair. glb, then, represents just that: aspirations, adaptation over love. A cultural model can be defined and exists only in a digital realm. A chair, a woman-like creature from oceans with its fresh attitude consisting of fully chrome materials, may inspire people who find it challenging to blend harmoniously. So there you have it, an interpretational shape of decentralization. 1/1 to be used in your upcoming metaverse House, in particular.

Review Writing by Silvia Grassi, Art Curator at MADS Gallery
Each of us is used to our daily routine, world, objects, and reality. But how would you feel if you were suddenly catapulted into another reality one day? In a world not yours, with a different materiality, different rules, different perspectives. This day is actually not that far away, reality as we know it is slowly - indeed not quite so slowly - moving towards something new and completely different: the Metaverse, a virtual reality, the new virtual world that will guarantee users access to a new universe made up of experiences, films, concerts, events, meetings, games and everything that can be imagined in digital form. So, the time has come to think about our new reality, the new place to "live". From this comes from the ingenuity of the decentralize * artist, the work exhibited here: "Mermaid Chair". It is the symbol of a new vision, of new cultural models that will develop in the digital world. The shapes of the design object - I would define it as Meta-design - recall the sinuosity and elegance of the sirens, mythological creatures who, for Homer, are those who know everything that has happened and will happen on earth: they have therefore a look to the future, just like anyone who decides to inhabit this new reality, which will inevitably be part of the future of each of us. Furthermore, their song leads the listener to absolute knowledge: Man thus opens himself to the infinity of knowledge, to the infinite realities that we could thus create, to always go further, ever further away. Man could thus, like mermaids, merge two apparently distant worlds in him, which when united give life to a wonderful creature, to a new way of seeing.

 
deconstruliazed_sitting_elements

supply: 1

virtual furniture, designed by DFW at 28/03/2022

 
Armageddon Seat

Type: Furniture
Seating no:  5
Dimensions:  0.75 x 0.825 x 1.35 m
Supply: 1
Date: 20.05.2022 created


Even though the machine is merely a tool for people today, it is thrilling to consider whether AI designers will someday design a chair that illustrates the soul of human beings. Would that chair be known as the "Salvation Seat?" Can something be lethal if it can dream?
Diagrams are inadequate even for representing the human spirit; how can we abstract and materialize a machine's soul? This design product, which began as a simple notion, aims to fill the context of its subject while also attempting to include the design language of the Religious Robotics concept through furniture.
Armageddon Seat is an experiment in transforming complex simplicity into a sculptural digital home object rather than a monument in an age where machines only serve humans now.


jack the lad-xx
 

 
bilbao lego chair

 

 
floral butterfly chair

Buy [Opensea]


supply: 54

virtual furniture, designed by DFW at 20/10/2022

 
Car Wreck Sofa​

supply: 1
dimension= 3 x 1.4 x 1.6

An accidental combination of various impossible surfaces under the composition of seating.
 

 
symbiote sofa

 

 
brown shark table


 
decentralize*-joking
(Dj controller for metaverse)


The DJ Controller Unit for Metaverse Parties is digitally forged with the religious robotics philosophy to spread music, love, diversity, and design. It is the first DJ product ever designed and minted over Ethereum smart contracts to mix in the metaverse.


screamer​


metaverse speaker


DJ*2 [offroad] {controller}​


2nd DJ Controller made by DFW House of Design .glb, 880kb, animated, 13k tri. supply:12
Introducing DJ*2 [offroad] {controller}, the ultimate metaverse music controller crafted to perfection for the virtual musicians of today. This controller is an embodiment of the electrifying atmosphere of Berlin's night scene, where aggressive spiky industrial shapes merge seamlessly with smooth curves to create a unique monochrome design with black and metallic tones that exude elegance and refinement.
DJ*2 [offroad] {controller} is an animated .glb file that perfectly integrates into any metaverse on-chain after purchase. With only 12 copies available, this controller epitomizes exclusivity, catering to the increasing demand for exceptional virtual music experiences.
The controller's design language is all about breaking free from the monotony of traditional music equipment, creating a distinctive identity for virtual musicians. The spiky shapes reflect the edginess of the night scene, while the smooth curves add a touch of sophistication, culminating in a harmonious balance between the two.


DJ*2_2 [offroad] {controller}​


 

 
spooky verde alpi carpet


A 3d marble rug derived from Wabi-Sabi Central Office's roof (Future WS S.S.Exp.)

 
w6o1m6

Type: Sculpture
Dimensions:  4.13 x.12.3 x 12.1 m
Supply: 1
Date: 20.05.2022 created
Price: 8 eth

w6o1m6 is a self-structured sculpture that researches an elemental algorithm with six pieces of two components of a notorious leveraged liquid trading landscape that some adventure to nurture their gratitude to Dionysos with the representational frame in a religious robotics style. 
 
Behold, dear seeker of the mystic and enigmatic, for I present to you a virtual sculpture that defies the boundaries of our mundane reality. A creation born from the fertile mind of none other than DFW, w6o1m6 stands as a testament to the boundless creativity and ingenuity of the human spirit.
At its core, w6o1m6 is a self-structured sculpture that seeks to unravel the secrets of an elemental algorithm, a mysterious force that lies at the heart of our universe. Through the interplay of six intricately crafted pieces, each composed of two components, this digital 3d composition invites us to embark on a journey of discovery and exploration.
But what is the nature of these components, you may ask? They are none other than the very building blocks of a notorious leveraged liquid trading landscape, a realm shrouded in mystery and intrigue. And yet, here they are, arranged in a mesmerizing and captivating form that invites us to contemplate their meaning and significance.
But there is more to w6o1m6 than meets the eye, for it is imbued with a spiritual essence that speaks to the deepest parts of our being. With its representational frame, it beckons us to pay homage to Dionysos, the Greek god of wine and ecstasy, and to celebrate the joy and wonder of life.
And yet, there is an otherworldly quality to this sculpture, a sense of the surreal and the uncanny that draws us in and leaves us transfixed. Its religious robotics style speaks of a world beyond our understanding, of a realm where art and technology merge into a singular and transcendent entity.
In the end, dear seeker, words can only convey so much. To truly experience the magic and wonder of w6o1m6, one must immerse oneself in its digital realm and allow oneself to be transported to a world of boundless creativity and imagination.

 
molecular data plant


Abstract Chrome Sakura Tree (virtual environment element)
decarbonize your gallery with more trees to help the climate crisis

 
zen bubble rider

 

The Bubble Rider: A Meditation on Movement

There was a time when someone gathered stones from a riverbed—not the sharp, angular ones that cut and command, but the soft ones, the forgotten ones that had surrendered their edges to water and time. Each stone had learned patience. Each curve spoke of acceptance.

From these quiet forms came something unexpected: a vessel that breathes.

The Bubble Rider exists in the space between weight and weightlessness. Its body is composed of these river stones, but stones transformed—no longer bound to earth, they float in careful constellation, held together by something lighter than gravity, softer than intention. When light touches its surface, it doesn't reflect; it pools, gathering in the valleys between curves like morning mist in a garden.

To approach it is to understand that this is not transportation as we know it. There is no engine that roars, no mechanism that grasps at distance. Instead, there is presence—a gentle humming that might be the stones remembering their river, or the air learning to hold something precious.

Step inside, and the world changes its rules.

The interior cradles you as water cradles a stone. There are no hard lines here, no surfaces that insist on their importance. Everything yields, everything receives. The seat forms around your body like accumulated stillness, and suddenly you realize you are not sitting in a vehicle—you are resting inside a meditation that happens to move.

Movement itself becomes different. The Bubble Rider doesn't travel through space; it carries space with it. Acceleration feels like the gradual deepening of breath. Turns happen with the fluid logic of wind changing direction. There is no rush, no urgency—only the patient unfolding of arrival.

Outside, the world continues its hurried business, but inside the stone-sphere, time moves like honey. Minutes stretch into moments of genuine noticing. The sky becomes more than background; the horizon becomes a conversation partner. Distance transforms from obstacle into invitation.

This is what happens when technology remembers its original purpose: not to dominate, but to harmonize. Not to conquer distance, but to transform the very meaning of journey.

The Bubble Rider asks its passengers to forget what they think they know about getting from here to there. It suggests, gently, that perhaps "there" was never the point. Perhaps the point was always the quality of presence we bring to the space between departure and arrival.

In a world obsessed with speed, it offers rhythm. In a reality fixated on destinations, it whispers about the poetry of transition. It moves through the metaverse not as a foreign object, but as a natural phenomenon—a cloud with intention, a whisper with direction.

Some say it's impractical. They point to faster vehicles, more efficient systems. They miss the point entirely.

The Bubble Rider was never meant to save time. It was meant to restore it—to give back those precious moments when movement becomes meditation, when travel becomes a form of prayer, when the simple act of going somewhere becomes an opportunity to remember what it feels like to be fully, quietly, completely present.

It floats because it has forgotten the weight of hurry. It glows because it remembers that everything, ultimately, is made of light temporarily convinced it is something else.

To ride the Bubble Rider is to participate in this gentle deception, this soft rebellion against the tyranny of urgent arrivals. It is to discover that sometimes the most radical thing you can do is simply slow down and pay attention to the space you move through, the air you displace, the light you gather and release.

It carries you not just to your destination, but to a different understanding of what destinations might mean.

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we leverage 'religious robotics" to reimagine the borders and parameters of the spatial reflections of virtual daily life.

© 2024 DFW, All rights reserved   Milan, Italy  EST.2021  

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