This headquarters was theorized as a villain-like spatial projection of the antithesis of Tadao Ando's Church of Light. This land, created by a black vertical pyramid blended with gothic pillars, is useful for gatherings or presentations thanks to its central layout and capacity to serve as a functional corridor between walls and superfine pipes. Prism's postmodern Italian geometry, with entrances at each corner, strikes a paradoxical harmony with the structure's uniqueness and the materials chosen for the whole.